Westerns?
When I was a kid I thought they were totally lame. Bunch of dudes on horses? No machine guns? No martial arts? No lasers? Not to mention that as near as I could tell, all these movies were OLD (eek!) and being a kid, I only wanted to see the newest stuff. Seriously, I remember turning down watching
"Rio Bravo" with my Dad to see
"Flash Gordon" for the fifth time. I don’t mind telling you now, I was an idiot. Here it is now, decades later, and I’ve made it my life’s work to catch up on all the fan-frelling-tastic iconic masterpieces I missed due to my distrust of anyone wearing a cowboy hat. While this phobia still extends to anyone who carries a guitar at the same time, the dudes with the stetsons AND the six-guns have officially become way cool in my book. It took a fandom of
samurai films first to figure it out, but now I’ve got years of entertainment ahead of me and some of the best movies ever made to watch and munch a bag of peanut butter covered pretty-much-anything to.
A good place to start for anyone would be the two new western box sets from the
Warner Brothers collection. They sent me so many gorram westerns at once, I have barely even BEGUN to dig in but let’s take a look anyway (because otherwise I’ll be reviewing these damn things six months after their release and sooner or later I gotta get to something else.)

ERROL FLYNN: THE WARNER BROS WESTERN COLLECTION
I knew about
Errol Flynn, one of the most famous and suave leading men in history, mainly from the arguably best ever version of
Robin Hood and his iconic career making swashbuckler films like
Captain Blood. I had no idea he had ever worn the white hat in the wild west. This collection puts together 4 of his
‘place name’ westerns...

Virginia City (1940): Directed by
Michael Curtiz and also stars
Miriam Hopkins,
Randolph Scott and
Humphrey Bogart.
This was the best of the films I’ve had time to watch from this set.
Flynn is a union officer during the civil war who has to track down
Scott who is trying to sneak a large shipment of gold out of the Union dominated
Virginia City in order to fund a last-ditch attempt from the south to stay in the war. Getting in the way is
Hopkins who is love-triangled between her secret devotion to the Confederate leanings of
Scott and a irresistible desire to make kissy face with
Flynn.
Bogart’s smaller role as a Mexican bandito is hysterical, bringing me back to
Charlton Heston’s Hispanic turn in
"Touch of Evil" or
Mickey Rooney as a Japanese feller in
"Breakfast at Tiffany's"...it’s sort of embarrassing now. Regardless of the racial problems, this has some stunt work that would be impressive even by today’s standards and more than enough drama and action to keep anyone’s butt glued down for two hours.

San Antonio (1945): Directed by
David Butler and also stars
Alexis Smith.
Meh. Only a western
this gay (not that there's anything wrong with that) would be nominated for Oscars for Best Song and Best Art Direction.
Flying Spaghetti Monster please save me from cowboy movies with constant song and dance numbers.
Flynn is a cattle rancher who has had his entire stock stolen from him by a rich evil dude who controls downtown (well, that’s all there was pretty much)
San Antonio. He rides in to eventually settle the score but only after sitting through an interminable amount of dancing and singing from his girl-toy,
Smith. Eventually it gets to a nice shoot-up at the end culminating in the old burned out
Alamo, but it sure takes it’s time getting there.

Montana (1950): Directed by
Ray Enright and also starring
Alexis Smith.
Flynn is an Australian (who mind you, doesn’t even ATTEMPT an appropriate accent) who wants to bring sheep into
Montana, but there’s a long and bitter history between sheep herders and cattle men up there and some sort of urban myth everyone believes about sheep keeping cattle from being able to feed or some such bulldren.
Flynn tricks one of the local major land owning anti-sheepites (
Smith) into leasing him some land for him and his sheep by making with the
Flynn charm on her. OH MY GOD is
Alexis Smith hawt in this. Red hair, demon eyes...totally my kryptonite. I can't believe she was the same girl annoying the crap outta me in
San Antonio.
"Montana" makes for a fun time watching
Flynn be slick and of course excel at everything he tries from bronco busting to guitar playing (just the once, luckily) until it all culminates in the ultimate legendary battle of stock footage of cattle versus stock footage of sheep.

Rocky Mountain (1950): Directed by
William Keighley and also starring
Slim Pickens (in his debut) and
Patrice Wymore (who married
Flynn a few weeks before release)
The last western
Errol Flynn made puts him in Confederate shoes this time, leading a group to California to enlist more soldiers but the Indians are determined to stand in the way (as Indians back in those fictional days were wont to do.) I’m gonna be honest and tell ya I didn’t get around to watching this one, but I will for sure. Come on,
Slim Pickens in his first role? I gotta see this for that alone.
The coolest thing about this set (other than the BEAUTIFUL transfers) is that each disk comes packed with a bunch of shorts appropriate to the time that would have been the sort of thing they played before the movies back then. Hear that, kids? Instead of an hour worth of commercials for
Axe body spray and
Fanta you got
Looney Tunes cartoons, western short films, newsreels, and who knows what else. I think we ended up getting the short end of the stick.

WARNER WESTERN CLASSICS COLLECTION
Unfortunately, the powers that be sent this to me about a week after its release date so I haven’t be able to watch any of the films yet but with some of the big stars in these, completely remastered transfers and especially with the wonderful
John Sturges (
The Great Escape,
The Magnificent Seven) helming two of them, you can be damn sure I will. Regardless, here’s a little taste of what the set has to offer:

Escape From Fort Bravo (1954) Directed by
John Sturges and starring
William Holden,
Eleanor Parker and
John Forsythe.

Many Rivers to Cross (1955) Directed by
Roy Rowland and starring
Robert Taylor and
Eleanor Parker.

Cimarron (1960) Directed by
Anthony Mann and starring
Glenn Ford,
Maria Schell and
Anne Baxter.

The Law and Jake Wade (1958) Directed by
John Sturges and starring
Robert Taylor,
Patricia Owens and
Richard Widmark.

Saddle in the Wind (1959) Directed by
Robert Parrish and starring
Robert Taylor,
Julie London and
John Cassavetes (and written by
Rod Serling from
“The Twilight Zone”.)

The Stalking Moon (1958) Directed by
Robert Mulligan and starring
Gregory Peck and
Eva Marie Saint.
Unfortunately, there appear to be no discernible extras on these aside from some original trailers for the films, but for the cheap price it’s still more than worth the while for any old west fans.
Do yourself a favor and if you haven’t yet, get yoself some movie edumacation and some classics to make your collection look more classy, representing one of the only American invented major art forms. Whether you go with the
Clint Eastwood classics,
John Wayne’s trademarked swagger or just pick up either one of these great new box sets, you’ll be doing yourself a favor as a movie fan. It's time to "cowboy up" and expand your mind, my friends (and after watching ten westerns in a row, most likely your ass will follow by expanding as well.)
Click Here to Buy the "Errol Flynn Westerns Collection"
Click Here to Buy the "Warner Western Classics Collection"
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