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4/5
Bravely holding up the peace sign in protest against modernity and establishment, Moonrise Kingdom could be
seen as this generation's Easy Rider. A big statement to make for sure, but its quirky tone and important discussion
of free love and youth are held onto with a fond emotional resonance and artistic beauty.
Its 1965, America is a transitional state and its youth are easily impressionable to the evolving…
ContinuePosted on September 1, 2012 at 11:00am
3 ½/5
Strapping on the pistols, knives and corny dialogue once again, The Expendables 2 loudly expresses that the
revered elements of 80s action cinema are still valuable. Despite this series already feeling the pinch of
a discerning modern audience, this installment is a clear step above its underwhelming yet still enjoyable
predecessor.
The super group known as 'The Expendables' has survived the deadliest assignments in…
ContinuePosted on September 1, 2012 at 10:30am
2/5
The problem with both 2012's Total Recall and many remakes of its type, its that they ask the audience to
endure a completely useless and unoriginal experience. Straight from the Hollywood cash machine, this
interpretation of Phillip K. Dick's short story 'We can remember it For You Wholesale' is ironically forgettable
and lifeless despite its interesting and relevant premise.
Borrowing straight from the…
ContinuePosted on August 29, 2012 at 8:43pm
2 ½/5
It's hard to believe that four years ago Jeremy Renner was a character actor working through small roles, trying
desperately to achieve A-list status. His career post-Oscar nomination for The Hurt Locker has deservedly paid
off; now with his first blockbuster lead role in action thriller The Bourne Legacy. His talent however far succeeds
the material here as this latest installment in the Bourne franchise is a missed…
ContinuePosted on August 17, 2012 at 10:30am
3 ½/5
David Cronenberg's style screams psycho-sexuality and disgusting yet symbolic imagery. The Canadian director of
such sci-fi classics as The Fly and Videodrome has changed genres over the last decade to create subtly violent
dramatic thrillers. So its both welcome and strange that his latest film Cosmopolis combines elements from his two
genre styles in a unique yet polarizing fashion to create an alarming vision of our…
ContinuePosted on August 13, 2012 at 9:30am
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