rate the last movie you saw

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Permalink Reply by T.R. on July 19, 2009 at 1:22am

The cabinet of doctor Caligari
8.9/10

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Permalink Reply by Rare Addict on July 19, 2009 at 3:14am

Being The Dark Knight's first birthday, I decided to watch the film again. The more times I watch this movie, the more I appreciate it (which is saying a ton, considering how much I enjoyed it the first time around). I've never denied the weaknesses of the film, but I've also never had any qualms with giving it a 10/10.

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Permalink Reply by Aimal Khan on July 19, 2009 at 10:56am

4/10

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Permalink Reply by Sonja Pohr on July 19, 2009 at 2:44pm

Thank you for smoking

10/10

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Permalink Reply by Janie on July 21, 2009 at 10:52pm

fucking love that movie!!

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Permalink Reply by Janie on July 21, 2009 at 10:57pm

do you watch Whitest Kids U'Know ?

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Permalink Reply by Laconic on July 19, 2009 at 5:19pm

HP6 3.5
Public Enemies 3.5
Pelham 123 3
The Hangover 3.5
/5

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Permalink Reply by Biosaber on July 19, 2009 at 5:38pm

Harry Potter and The Half-Blooded Prince 10/10
Bruno 7/10
Transformers 2 9/10
Public Enemies 8/10

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Permalink Reply by mainza tonga on July 19, 2009 at 11:42pm

crank 2 better than sex one of my top ten movies

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Permalink Reply by Guitaro Man on July 20, 2009 at 4:11pm

8.5/10

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Permalink Reply by pookie bear on July 20, 2009 at 4:19pm

REC
8/10

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Permalink Reply by Gerald Harvey Peckinpah on July 21, 2009 at 6:47pm

Mikey & Nicky (1976, Directed by Elaine May.) = 8.8/10

This is, w/out a doubt in my mind, one of the single greatest & most inventive character-driven crime
pictures I've ever seen. Undertaken as something of a dark comedy from the outset, Elaine May adopts
an improvisational, near-verite' style in order to maintain the signature feel of Cassavetes' own unique,
independent style of direction. I was quite surprised to find that Ms. May also wrote the screenplay
to this wonderful film, as well. If I didn't know any better, I'd just have sooner assumed that John
had written the script himself. Or, that he & Peter Falk were simply playing off of one
another w/out any written dialogue to work from. Elaine May, not unlike Arthur Hiller,
was best known for helming screwball comedy flicks such as The Heartbreak Kid & A New Leaf.
Along w/ her career as an actress & well-known comedienne of the day. But, much like Hiller
was able to prove w/ films like The Man In The Glass Booth & The Americanization of Emily,
Elaine was able to demonstrate that she could more than hold her own w/ her male
contemporaries working in the bleak humor & crime drama genres, respectively.
I have no more superlatives w/ which to kiss this movie's ass.
So, I'll just end this now w/ a simple statement before I
make an even bigger schmuck out of myself.

If you have a best friend, the end of this film will move you.

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